February 2007 Archives

Jeff Wall and Justine Kurland in NY Times

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Two articles of interest in the Sunday NY Times. The cover article of the Magazine is a profile of Jeff Wall, accompanied by a breathless, shocked tone - bewildered that some photographs are staged and require upto 20 extras! In the Saturday paper, Roberta Smith reviewed Wall's show at MoMA, opening tomorrow.

The second is in the Arts section, a review of Justine Kurland's latest work, a bunch of naked mothers and children congregating in nature, being shown at Mitchell-Innes & Nash. The images strike me as having a prehistoric quality. Funny enough, Kurland finds some of her models at health food stores, which is exactly what you'd think. The article also has a nice connection to being a creative parent (her son is the same age as mine).

Photo-plagiarism

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There probably isn't a photography message board on the Web that doesn't intermittently boil over with accusations of plagiarism for some photograph that treads to carefully to another, either famous or obscure.

Personism picks up on this today, following on the heels of the recent (different) coverage in Slate a little while back.

This topic is the overarching subject of Geoff Dyer's Ongoing Moment, which I read last year. (There's an audio interview with Dyer on KCRW.) Rather than blaming similarities between photographs on plagiarism, Dyer describes a community of artists who are unified in their subject matter, mostly in the absence of any other connection.

One badly-formed comparison in the Slate "article" (it's really just a slide show) is between William Eggleston and Christian Patterson. Christian is described as an "admirer" of Eggleston as if he was some sort of sort of stalker without noting the personal connection between the two.

Three Fairs Hit Town This Week

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This week features the openings of three major art shows here in NYC: Pulse NYC, Scope NY and The Armory Show. All three shows open on Thursday, Feb 22 and continue through Sunday the 25th. The family has been suffering cabin fever through a vicious combination of colds, flu and frigid temperatures, so maybe we'll get into town to see one or more of these fairs next weekend. Based on the press releases in my in box, Scope appears to be the favorite amongst photo dealers (or at least the ones I frequent.)

Pulse NYC
69th Regiment Armory
Lexington Ave and 26th St
Admission is $15 ($10 for students and seniors)

Scope NY
Lincoln Center, Damrosch Park
(No admissions info on the Web site, oddly)
62nd St and 10th Ave/Amsterdam Ave

The Armory Show
Pier 94
12th Ave at 55th St
Admission is $20 ($10 for students), $40 for 4-day pass

There is a shuttle between Scope and Armory and Armory and Pulse, so fair-hopping is easy.

All this activity appears to have scared off the Association of International Photography Art Dealers, whose "Photography Show" used to be in February, at least it was when I attended in 2002 (I know, an eternity ago). The show has moved to April.

AIPAD: The Photography Show
April 12- 15
7th Regiment Armory
67th St & Park Ave
Admission is $20, $40 for a 4-day pass $30 for 3-day pass

Location, Location, Location Audio Transcript

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MAN notes that the New Museum has posted an audio file of the recent panel discussion on "provincialism". It's 11.4MB, so fire up the broadband.

Site Update

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Just wanted to let everyone know that the Gallery Hopper RSS feed now features the full content of each post, including images and links, rather than only the first couple of lines of each post. If you're not sure what an RSS feed is, Google has a short intro to feeds.

For those of you who have asked to get Gallery Hopper updates by email, I'm now able to offer that, too. Sign up and you'll get a single daily email with all of that day's posts (if any).

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The Robert Frank Coloring Book

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Jno Cooks Robert Frank Coloring Book instructions

In the early 80s, Jno Cook created "The Robert Frank Coloring Book" as he was analyzing the work and researching an article on Frank's influential book, The Americans. While its creation was incidental to other thought processes, I can't help but think how strange it is to see a coloring book of a black and white work, one that isn't particularly given to strong line work, either. But I can certainly imagine finding this sitting in the children's section of a museum bookstore.

(via Personism)