The Court's Definition of Art
This is somewhat old news at this point, but Philip-Lorca diCorcia has successfully defended his right to make street photography without the approval of his unwitting subjects. This has universally been heralded as a terrific victory for art, particularly in the photoblogger community since the bulk of their work is so heavily weighted towards street photography.
However, I found the judge's decision to be a bit more disturbing, as did she. The critical issue at the center of argument was whether diCorcia's work qualified as advertising or purposes of trade. If it did, then diCorcia was liable. DiCorcia's lawyers argued it did not qualify as commerce simply because it was art. This was determined by the photo's "exhibition in a gallery; sale of limited edition prints; and publication in an artist's monograph". Personally I find it strange that one would argue something's value as art by providing examples of its sale. Judge Gische ultimately found that diCorcia had “demonstrated his general reputation as a photographic artist in the international artistic community” and was thus engaged in art, not commerce. This leaves me to question how artists without an international reputation would fare. I find it strange and troubling that the court's definition of art would be so bound up in the gallery system and specifically connected a specific artist's success.

Found myself asking much the same. And imagine if it had been a no-name, street photographer of say... middle eastern descent.
Setting aside the racial profiling issue, which I do think is entirely separate from this situation, a no-name photographer would probably attract less attention because the potential windfall wouldn't be worth the legal effort. However, a no-name would be more susceptible to cease-and-desist activity. I suspect we'll see just this sort of "chilling effect" begin happening in the Flickr (or other) online photography community very soon.
Being a minority (for as long as I can remember in these United States), I don't throw in "the race card" lightly- particularly in these days of racial/terrorist profiling (particularly when "armed" with a camera). It's just another burden some of us have to deal with...
That said, it's also curious that none other than Richard Avedon sued a complete no name band in the nineties for daring to use one of his photographs to promote one of their gigs in flyers that adorned East Village lightpoles.
Its probably not the end of this battle, but I think the ending judgement was made correctly.